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The Grand Social Experiment | Van Kooten on God Bless You, Mr. Rosewater

Rick Van Kooten   Following the bleak nihilism of Cat’s Cradle, the next novel written by Kurt Vonnegut, God Bless You, Mr. Rosewater, presents a more optimistic side of Vonnegut’s philosophy, even as it is presented as a blistering satire as in Cat’s Cradle. In many ways, Vonnegut’s body of work up to this point could be considered not only a literary project …

Follow the Money | Sandweiss on God Bless You, Mr. Rosewater

Eric Sandweiss   “A sum of money,” Vonnegut’s narrator alerts us, will be “a leading character” in God Bless You, Mr. Rosewater, the novelist’s 1965 tale of the hazard of old fortunes (1). Like his creator, Eliot Rosewater—the holy fool who fills that lead role in a more conventional sense—is also struck by money’s personal charisma. Mr. Rosewater, a science …

Utopian Lanes: The Project Logic of God Bless You, Mr. Rosewater | Comentale on God Bless You, Mr. Rosewater

Ed Comentale   As self-appointed dean of Salo University, an institution dedicated fully to training in the liberal arts, I have been tracking Vonnegut’s shifts in thinking about the human and his uneasy relationship with humanism as a system of thought and value. As I see it, his first few novels are marked by an increasing pessimism about human nature …

Facts I Can and Cannot Do Without: Vonnegut’s Mother Night and the American Totalitarian Mind | Comentale on Mother Night

Ed Comentale   Apparently, Kurt Vonnegut—beloved hippie hero of postmodern literature—almost became a Nazi. That’s what we learn, at least, in the first few surprising pages of Mother Night. Vonnegut opens his 1961 novel by describing the wealthy German Hoosier clan into which he was born. He recalls “the vile and lively native American fascists” he grew up with in …

Campbell’s Confessions | Shapshay on Mother Night

Sandy Shapshay   Vonnegut’s first novel takes us into an automated, dystopian future; his second carries us deep into outer space; but Mother Night (1961), his third novel, brings us back to Earth and to the not-so-distant past. From the introduction we learn that Mother Night deals to some extent with what must have been the author’s own traumatic involvement …

Vonnegut v. WWII | Castronova on Mother Night

Ted Castronova   In Mother Night Vonnegut finally unleashes a long-held rage directly at its target: The Second World War. Many people see WWII as horrible because of what Germans did. They tend to overlook what Russians, English, and Americans did. Vonnegut can’t, because he was witness to what American and British bombs did to German civilians. As an American POW, …