University of Chicago
Eric Sandweiss In Cat’s Cradle, his first novelistic foray out of the postwar gloom of Mother Night, Vonnegut awakens to find the shell-shocked, the disillusioned, the displaced—here a Soviet dancer, there a Nazi doctor, an American defense contractor, a dissipated playboy-turned-humanitarian, and so on—still bouncing about a world turned upside down by generations of global war. We know little …
Cooper Harriss The company line on Cat’s Cradle concerns Vonnegut’s invention of a religion—Bokononism—to satirize his contemporary vagaries of knowledge and authority. See the cat? See the cradle? Religion is a lie, the story goes; it’s not true but an invented dimension of human cultures. Like the lies we tell our children, religion arouses fear, provides comfort, establishes meaning, …
Player Piano as Educational Dystopia Ed Comentale In a recent interview with Bloomberg News, billionaire investor Mark Cuban offered some surprising advice for college students and their future employers. “No finance,” he proclaimed, “that’s the easiest thing—you just take the data and have it spit out whatever you need. I personally think there’s going to be a greater demand in …
