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Bomb

Iterations of the Same | Sheldon on Slaughterhouse-Five

Billy Pilgrim can’t stay in one place. Like Winston Niles Rumfoord before him, Pilgrim has become unstuck. But while Rumfoord bounces around in space, appearing in his sitting room on Earth for only a few minutes at regularly scheduled intervals, Pilgrim is smeared across time, living many moments and timelines at once. He is a baby, a middle-aged optometrist in …

Where Dead Men Go | Castronova on Slaughterhouse-Five

The boss cleans up after, the boss is always the last one to turn out the lights and lock the door, which means the boss is the last one to look for spills and messes and things-out-of-place that will be a nuisance tomorrow. A good boss does that, anyway. She’d worked for jerks who left clean-up for others, went off …

No Damn Cat, and No Damn Cradle | Van Kooten on Cat’s Cradle

Rick Van Kooten   John, the intrepid narrator of Cat’s Cradle, is working on a book describing what Americans were doing at the precise moment the atomic bomb was dropped on Hiroshima. He tries to contact the three children of the late Felix Hoenikker, Nobel Laureate and so-called “father of the atomic bomb,” for greater insight. We learn of Dr. Hoenikker’s …

“No damn cat, and no damn cradle!” | Sandweiss on Cat’s Cradle

Eric Sandweiss   In Cat’s Cradle, his first novelistic foray out of the postwar gloom of Mother Night, Vonnegut awakens to find the shell-shocked, the disillusioned, the displaced—here a Soviet dancer, there a Nazi doctor, an American defense contractor, a dissipated playboy-turned-humanitarian, and so on—still bouncing about a world turned upside down by generations of global war. We know little …